Monday, January 4, 2016

Gold and Cattle Country

Reading "Gold and Cattle Country" is like sitting down and listening to a lifetime of tales about how things were in the real "old west".  And what a lifetime it was!

Herman Oliver's father came to the US from the Azores as a stowaway, and ended up settling in Oregon's Grant County.  Herman Oliver was born in John Day Oregon in 1885, when horses were the main means of transportation, and died in 1970, after a man had walked on the moon for the first time.  He was a successful cattle rancher and banker, and later became involved in local and Oregon politics as a member of various committees.

The sense of listening to an "old timer's" stories is strong, as the book rambles a bit at times, but in a pleasant way.

The author dedicates some space to evidencing the differences between the real west he lived in, and "the west" of movies and TV, like most of eastern Oregon. Nonetheless, the book carries a sense of "west" that is not present in the mossy green valleys and slate gray skies of western Oregon; a west of ranches and gold mines and of raw, remote country.

This is reflected in the names, too:
Western Oregon, perhaps due to the mild and friendly climate that attracted home loving people, abounds in gentle names such as Amity, Glad Tidings, Freedom, Forest Grove, Goshen, Fernhill, Fairview, Enchanted Prairie, and the like.
Indeed, Western Oregon was mostly settled by people looking to farm, build churches and schools and communities, and otherwise create a peaceful, and somewhat dull existence compared to the "gold and cattle country" of eastern Oregon.  While it's hard to disagree with the motives of the former, it does not make for much in the way of stories.

At times the book rambles a bit too much, and goes into more detail than many might find interesting about actually running a cattle ranch, but those parts are brief and bearable.

A few anecdotes that jumped out:

Sheep had a reputation for being driven through areas and laying waste to the graze. An Irish sheepherder is allowed to graze his sheep in some wheat that otherwise would have gone to waste:
I said to the herder, "Pat, did you ever have your sheep in feed as good as this?" He answered, "Ounly in the moonlight."  A whole story of an era is wrapped up there.
Interestingly, the wild horses of Oregon were in high demand when they were still used by various military forces:
The U.S. cavalry and light artillery looked to Oregon for their choicest mounts. In the Boer War, the British bought many thousands of horses, and in the first World War, British, French and American officers could be seen inspecting horses at every eastern Oregon shipping station.
Some border on the "not very politically correct", but I guess that goes with the times:
Once, while judging the riding events at the Pendleton Roundup, I was sitting on my horse waiting for the next event, while the Indian women, in their finery, happened to be lined up in front of me. They were back to me and another judge was appraising them and their costumes for the title of "Indian Queen". An old Indian saw me, noticed the judge sign, hurried up and told me confidentially but emphatically, "You no judge squaw's behind! You judge 'em in front." 
The book is full of stories like these, and they give a real sense of what life was like, and how much things changed over the years.

Lastly, this quote struck me as something that makes as much sense now as it did then:

If asked for a single sentence of advice to anyone starting a ranch or any other business, I'd say, "Be constructive." Time spent in fighting neighbors, fighting the business people, fighting other organizations, is wasted. We improved the meadow, improved the breed, made our association stronger, built harmonious relations, made friends everywhere. The policy has made our lives smoother and has made it fun to live.

Wednesday, September 30, 2015

Heirs of Empire

Heirs of Empire

This book is not one with mind-bending new science fiction concepts - it's more of a "space opera" with a lot of cliches.  But it's a good, fun story, and the cliches are kind of mixed and matched with original bits and pieces into something that's new and - I thought - very entertaining.  There's some Star Wars there, some of the pirate movies I used to watch as a kid, some Dune, and it all works well because they are tried and true story elements that people have always liked.  Throw in some cool, futuristic tech, and a plot with lots of action, and it's a great book to read for enjoyment.

If you want hard science fiction, this isn't it, but if you want a very colorful, interesting world with action and adventure, it's a good book.  Indeed, the author leaves a lot of things unexplained, so I'm eagerly awaiting future installments set in the same world.

I enjoyed some of Evan Currie's earlier books too, but to me it felt like this one kicked it up a notch.  Given my tastes, I'd give it five stars.

Tuesday, June 30, 2015


Neal Stephenson is one of my favorite authors: I'd buy pretty much anything he writes.

This book was just not one I loved, though.

First of all, the first two thirds of the book is pretty depressing.  The entire population of the earth, outside of a few survivors in space, is wiped out in a massive fiery apocalypse when innumerable pieces of the moon come crashing down.  There is some interesting, and fairly detailed and realistic space science fiction regarding the survivors and how they cling to life in space , but the overall gloominess is aptly described by Cory Doctorow:
Stephenson builds up a sense of brutal inevitability, of humanity's insignificance in the cosmos that had me putting the book down for hours at a time, unable to read on (but my curiosity always overcame my sorrow). From: 
The final portion of the book, when humanity is rebuilding, is more positive in its outlook, and much more speculative science fiction.  It seemed too brief though, and leaves a lot of threads hanging.  Perhaps because the first part of the book didn't put me in a particularly positive frame of mind, I found myself more skeptical of some elements of the world Stephenson creates, and the events that lead to it and within it.

If you're already a Stephenson fan: you'll probably want to read it.
If not: read one of his other books like Cryptonimicon.

Tuesday, April 14, 2015

Zero to One: Notes on Startups, or How to Build the Future

Zero to One: Notes on Startups, or How to Build the Future

My biggest problem with business books is too much fluff around a simple core idea.  This book did well from that point of view: it didn't feel padded.  It was relatively short and to the point, and was interesting throughout.

I'm not sure I agree with everything he has to say, but that's vastly preferable to a bland book that you sort of nod along with because it's not bold enough to say anything people might disagree with.

The biggest, most important thing he asks is “What important truth do very few people agree with you on?”, as a way of discerning who has contrarian ideas that may actually be meaningful.  An interesting question.

One of the principle contrarian ideas in the book is that good businesses are something of a monopoly.  Sure, they don't want to come out and say it and get busted, but if you look at Microsoft, Google, and now Facebook... it's not like someone has come along and competed with them in what they do best.  New companies form around new things, and that generally happens only once per thing.

A less controversial point of view that's been promoted in other books like Crossing the Chasm, Thiel recommends starting out by dominating a niche.  Don't aim for "1% of a billion people", because that's going to have too much competition, be too hard to reach, and generally not be a good way to get started for a startup.

Every startup is small at the start. Every monopoly dominates a large share of its market. Therefore, every startup should start with a very small market. Always err on the side of starting too small. The reason is simple: it’s easier to dominate a small market than a large one. If you think your initial market might be too big, it almost certainly is
The perfect target market for a startup is a small group of particular people concentrated together and served by few or no competitors. Any big market is a bad choice, and a big market already served by competing companies is even worse.
 This is what he really means by "zero to one".  Incremental evolution of a product is not his idea of what really changes the world.  What really changes things are creating something where previously there was nothing.

There were also a number of things I wish I could ask about in more detail, because they seem partially right, but also dubious in other ways.

He talks about how there used to be more... "central planning", for lack of a better term, in the United States.  Big projects like dams, interstate freeways, and going to the moon, that don't seem possible these days.  I agree with him on things like the Apollo program; I wish we did more of that.  On the other hand, some of the big planned projects have had pretty serious unintended consequences.  Dams in the Pacific Northwest have had serious impacts on salmon populations, just as one example.  Even in terms of government projects, the internet, which was not nearly as well funded or visible as the space program, has probably had far more of an impact on our daily lives.  And I don't think anyone could have planned that out at the time.  Still, I do agree that it's kind of sad not to see more big ambitious projects.

About company founders:
Founders should share a prehistory before they start a company together—otherwise they’re just rolling dice.
I wrote about this same topic here:

Thiel comes out against remote work:
Even working remotely should be avoided, because misalignment can creep in whenever colleagues aren’t together full-time, in the same place, every day.
Cryptonomicon was required reading, and we preferred the capitalist Star Wars to the communist Star Trek
Say what?!  I don't really get why either one fits into 20th century economic schemes.

He talks about globalization, which might have some negatives for, say, factory workers, versus automation with computers, which he makes out in a very positive light:
Americans fear technology in the near future because they see it as a replay of the globalization of the near past. But the situations are very different: people compete for jobs and for resources; computers compete for neither.
Clearly, computers don't compete for jobs or resources, but the people running them sure do!

And in the middle of the book, he succinctly lays out his principles for what makes for a good company:

  1. The Engineering Question Can you create breakthrough technology instead of incremental improvements?
  2. The Timing Question Is now the right time to start your particular business?
  3. The Monopoly Question Are you starting with a big share of a small market?
  4. The People Question Do you have the right team?
  5. The Distribution Question Do you have a way to not just create but deliver your product?
  6. The Durability Question Will your market position be defensible 10 and 20 years into the future?
  7. The Secret Question Have you identified a unique opportunity that others don’t see?
Which seem like good questions for creating world-changing companies.

Tuesday, March 24, 2015

Longmire Mysteries

I haven't read the whole series, and have only linked the first book.  They are interconnected, so worth reading in order.

These aren't westerns in the sense of a story set in the 1800's, but they are very, very much about The West.

The succinct description: county sheriff Walt Longmire, his best friend Henry Standing Bear, and an engaging supporting cast fight crime in a small town in Wyoming.

The descriptions of the plains and mountains of Wyoming are worth it alone, and the stories are pretty entertaining as well.  The author manages to capture modern life in a fairly remote part of the US.  At the same time, these are not formulaic books and have plenty of humor sprinkled throughout.

These might be a good read even for those who normally are not fans of classic westerns.

There's also a TV series, although I think the books are better - they are richer and more nuanced.

Saturday, March 7, 2015

Burnt Creek

Burnt Creek

I like to read westerns for entertainment, but have always thought it'd be cool to read a few more about the bits of Oregon that are "the west".  There seem to be very few set there, so this book was a pleasant surprise.  It's set near Bend, Oregon, and is a collection of short stories about  local character who runs a local general store.

I'm generally not a short story fan, as they seem to be kind of short and blunt compared to the long reads I like, but these were enjoyable.  If you're not into westerns or Oregon though, this book probably isn't for you.

Tuesday, February 24, 2015

Hieroglyph: Stories and Visions for a Better Future

Hieroglyph: Stories and Visions for a Better Future

Neal Stephenson is one of those authors who could write pretty much anything, and I'd buy it, which is what made me buy this anthology.

This collection of short stories was supposed to "reignite the iconic and optimistic visions of the golden age of science fiction".  That sounded pretty cool to me; there is too much "doom and gloom" these days.  If you want to read something depressing, open up a newspaper and think about all the ruined lives and all that will never be for the various victims of misfortune and disaster.  I want to read something uplifting in my spare time.

Unfortunately, this book does not really deliver, outside of a few stories that were good, like Neal Stephenson's.  Some of them were kind of trite, and many felt a bit preachy about current "doom & gloom" topics like global warming.  I'm not one to deny what scientists are telling us, but I read these stories hoping for an optimistic view of people solving problems.

I suppose part of the problem is that I'm just not a fan of short stories; they don't give the author much time to really create much depth, so they tend to bludgeon you over the head with a Message, or otherwise be very direct, compared to a novel length work, which can afford to have a richer plot and characters.  Combine that with some of the authors who had various axes to grind, and I felt like the Messages were taking a back seat to the stories.

I'd give this book a pass.  Luckily, Neal Stephenson is coming out with a new book sometime this year!